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The cover of Studying the Religious Mind. SOURCE: personal collection. © Equinox.
While I am glad to know that in his review of “Studying the Religious Mind” G. D. Alles concurs with me that “post-truth and folk-historical thinking” need to be banished from our field(s), I have to confess my discomfiture for his critical remarks – which I found baffling for a series of reasons that need to be unpacked to be properly understood.
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The front cover of Roubekas’ The Study of Greek and Roman Religions (2024). Source: Bloomsbury.
Nickolas Roubekas’ The Study of Greek and Roman Religions clearly shows that the toolboxes and the results of the academic disciplines that study religion(s) from a critical and/or socio-scientific perspective continue by and large to be ignored by classicists, while the modern disciplines that have inherited the scholarly responsibilities of the old Victorian Science of Religion keep on tolerating, if not supporting, a fideistic and (crypto-)theology-friendly status quo.
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The other side of the coin. Marvel/Disney: What If Goofy Became Spider-Man? #1. Cover by Francesco D’Ippolito. Source: AITP.
Musings on the current comic book industry crisis and the editorially-mandated arrested development of Peter Parker/Spider-Man, with some witty observations unearthed from an 1983 article by none other than Alan Moore. In Marv Wolfman’s own words: “if [Peter Parker]’s still fouling up as an adult, he just isn’t a hero anymore. He’s pathetic.”
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SOURCE: logo from the Reading Religion website.
The “most religious essay of the volume? Neuroscientists as “inscrutable specialists”?! “Cosmic explanation”?!? WHAT?!
Read moreA quick post to add another batch of (poorly edited) pics to my ongoing exploration of Liguria.
Enjoy!
ALL PHOTOS BY LEONARDO AMBASCIANO, 2024 (CC BY-NC-ND 4.0) EXCEPT WHERE INDICATED OTHERWISE.
BONUS FEATURE!
Some additional photos from the MAU (Museo d’Arte Urbana di Torino; Museum of Urban Art, Turin) in Borgo Campidoglio, Turin, further up in Northeastern Italy. As far as I can gather from the official website, this is the first bottom-up, permanent, open-air, contemporary art museum located within an urban center in Italy. What a remarkable experience: you gotta see it to believe it.
ALL PHOTOS BY LEONARDO AMBASCIANO, 2024 (CC BY-NC-ND 4.0) EXCEPT WHERE INDICATED OTHERWISE.
This post was updated on 11 January 2025.
The cover of Claire White’s An Introduction to the Cognitive Science of Religion: Connecting Evolution, Brain, Cognition, and Culture. The image depicted on the cover is a “full brain tractography with artistic color” (from the back cover). The fact that a book about cognition presents itself to the readers with a neuroimaging picture is problematic, to say the least. See text for details. Source: personal collection.
I have eagerly waited for a general, comprehensive, and user-friendly introduction to the Cognitive Science of Religion (CSR) for many, many years. Finally, the book I’ve long dreamed about is here. And the result, while impressive in sheer size and scope, leaves much to be desired.
Read moreWhen Congressman Robert Garcia was sworn into office in January 2023 on the US Constitution he didn’t have the Bible or any other sacred text with him. Not that it was required to have one. As per Article VI, Clause 3 of the United States Constitution, there is no official requirement to be sworn in on a religious text for the Oath of Office: “no religious Test shall ever be required as a Qualification to any Office or public Trust under the United States.” But, in a sense, he did have a sacred text with him: a copy of Superman (vol. 1) #1 (published by National Comics/Dc Comics, cover date June 1939) borrowed from the Library of Congress.
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The gods had a dream, and the dream’s name was Liguria. Dolceacqua (Liguria, Italy). 2023 Leonardo Ambasciano (CC BY-NC-ND 4.0)
When I was young, there was always something missing in me.
Everywhere I went, I felt like I didn’t belong, like I couldn’t belong. My father left his seaside hometown in Liguria for Turin, a huge industrial city at the foothills of the Alps, in the 1970s, and from there he went abroad in the 1980s. When I was three years old my family decided to come back to Turin but, by that time, my father had already started globetrotting for work. We started spending give or take half a year in Turin and half a year in Liguria, some time in my father’s seaside town and some time in my mother’s mountain village.
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“I’m telling you, this is the way modern society works – by the constant creation of fear.” The cover of Michael Crichton’s fourteenth novel, State of Fear (2004), courtesy of my local library. London: HarperCollins (cit. from Prof. Hoffman’s tirade on p. 456).
When Crichton addressed the American Association for the Advancement of Science in 1999, he gaslighted the scientific community by saying that stereotypical portrayals of mad scientists and other negative tropes in the movies were absolutely normal (“Since all occupations are portrayed negatively, why expect scientists to be treated differently?”).
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Cadillacs and Dinosaurs!? Nope, wrong franchise. Jurassic World release poster (2015). © Universal Studios and Amblin Entertainment, Inc. Source: IMP.
When a graduate student of Stephen Jay Gould went to the movies to watch Steven Spielberg’s blockbuster tentpole Jurassic Park in 1993, he lamented that the animals depicted in the movie – in particular the Velociraptor, called raptors – were “the same old, ordinary, dinosaur shit-green” (Gould 1996: 230). When Gould reported his student’s colourful impressions in a studious review of the movie, he duly noted that Spielberg tried to experiment “in early plans and models” with the “bright colors” you would expect in a birdlike animal evolutionarily closer to birds than lizards and other reptiles. However, in the end the production team decided to revert to dull, dated, and monochromatic reptilian hues (Gould 1996: 230). They had already renounced the hissing serpent-like tongue for the raptors featured in the first shooting tests for the kitchen attack sequence – and that was quite enough, thank you very much.
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