Introduction to the Critical and Interdisciplinary Study of Religion 101: A work in progress.
Read moreReligion 101: How I Would Design a Kick-ass Course
Exchange Building, University of Nottingham. Source: Wikipedia; author: mattbuck.
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Exchange Building, University of Nottingham. Source: Wikipedia; author: mattbuck.
Introduction to the Critical and Interdisciplinary Study of Religion 101: A work in progress.
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Dang, it’s gonna take more than one whole minute to rewind all that tape, provided that the VHS cassette does not get stuck inside the VCR! … and you thought you had issues with your movie loading slowly on Netflix! Ah, kids these days…
Author: Groink (CC BY-SA 3.0). Source: Wikipedia
I was born eight months after the release of Return of the Jedi in theatres. For all intent and purposes, the Star Wars saga was over. But its legacy was just beginning. It might have been 1991 when I got hold of a worn-out VHS on which my sister had recorded The Empire Strikes Back live from a commercial broadcaster. There was no fancy sticker on it, no logo, no information whatsoever. It was just a black box with a brownish magnetic tape visible through the transparent plastic and a badly handwritten title on the spine. Nothing that could prepare me for what was I about to experience.
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Fig. 1. Source: Rennie (2017). Fair use of the copyrighted material for edicational purposes, commentary, and criticism.
Any critical and epistemologically warranted comment against the old phenomenological paradigm in the History of Religions is usually declassed by interested apologists as unworthy of attention - like Eliade taught the field to do - and/or labeled in such a way as to elicit hatred and dodge the issue at stake. It is also a form of begging the question to strengthen one’s defence. And as such, it is a dangerous fallacy.
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Sources in chronological order: HuffPost, 3 May 2018 (the bust in the middle was vandalized in 2018; in 2020 the statue was toppled by protesters); BBC News, 8 June 2020; BBC News, 9 June 2020; The Virginian Pilot, 10 June 2020; BBC News, 11 June 2020; Sky News Italy, 14 June 2020; CNN, 19 June 2020. An updated list of monuments toppled or removed during the 2020 protests is available on Wikipedia. Composition © 2021, L. Ambasciano.
It’s quite mind-boggling how the most toxic scholars of the past in the academic study of religion(s) have escaped unscathed the BLM movement’s criticism or the fury of cancel culture. How come statues like those dedicated to Churchill, Washington, Columbus, Confederates, slave traders, and racists all the world over were defaced or toppled down last year while the busts of Mircea Eliade are still standing? How is it possible that a chair at the University of Chicago is still entitled to Eliade while cancel culture is reclaiming so many academic and intellectual victims almost on a daily basis?
Read moreWe are eminently social primates highly susceptible to power dynamics, individual status, and social hierarchies, to the point that we spend a considerable amount of our time and resources in obtaining prestige goods, following charismatic individuals, and accessing or owning places deemed special, sacred, or relevant by our in-group. If you don’t believe me, just have a look at all the pop items auctioned for jaw-dropping sums of money, from vintage comic books to sport and cinema paraphernalia. In 2003, for instance, comic book artist and creator Todd McFarlane bought baseball player Mark McGwire's 70th home run ball from 1998 for $3 million. Today, Golden Era comic books in good conditions are worth millions of dollars.
Read moreWhen I was very young, and already a history buff, I loved to devour books about the history of dinosaur paleontology and play two groundbreaking MS-DOS turn-based strategy videogames on a clunky INTEL 80286, Centurion: Defender of Rome (Bits of Magic, 1990) and Sid Meier’s Civilization (MicroProse, 1991). Both videogames were early examples of what would have become known as “4X” empire-building strategy games, i.e., videogames that involved the exploration of a virtual map, expansion of territory with the conquest or annexation of provinces, exploitation of the resources available on the map, and extermination of (or diplomatic alliance with) enemy factions (Ghita and Andrikopulos 2009). As their names suggest, Centurion allowed the player to take active part in Roman military history as an army officer, while Civilization offered the exhilarating possibility of replaying history with several civilizations on ever-different scenarios and maps.
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The first page of the English translation of Pirandello’s novella L’eresia catara, included in The Medals and Other Stories, New York: Dutton & Co., 1939, 177-188, and published without any indication of the translator. Oddly enough, here Lamis becomes a “Professor of Ecclesiastical History” [Copy kindly provided by L. H. Martin]
In 1905, Italian novelist and future Nobel prize laureate Luigi Pirandello (1867-1936) published a short story entitled L’eresia catara (“The Cathar Heresy”). In his novella, Pirandello follows the pitiful personal and professional misadventures of Bernardino Lamis, a shy and modest Full Professor of History of Religions (professore ordinario di storia delle religioni) in an unnamed Italian University.
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We are made of stories - and these are some of stories I am made of. An amazing project over one year in the making, by Italian artist Emiliano Troco. Oil on canvas, © 2020 Emiliano Troco
Human cultures are neural environments extended throughout time and space. Cultures reach out to the ancestors. They explain the origins of everything. Thunders, earthquakes, life, death. They connect the most remote past with the future. And in the process, they provide meaning. Cultures make sense of all that happens. In the skies up above, on earth down below. Within us, between us, among us. Our similarities, our differences, our emotions, our thoughts. Everything is culture, and culture is everything.
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Horror comes in many shapes and forms… Private collection.
... quiet… quiet … BANG! Darryl Jones has recently suggested to label unhorror the blockbuster, mainstream “marketization” of the post-millennial horror, which compensates for its depoliticized and polished nature by the implementation of the now “dominant aesthetic technique” called scare-jumps or “jump-shocks”.
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Engraving depicting the most successful magic lantern ghost show of the 19th century, Étienne-Gaspard Robertson’s Fantasmagorie. Source: F. Marion, L’Optique, 1867. From Wikipedia.
In his On Deep History and the Brain, historian Daniel L. Smail suggested that technologies and dedicated socio-economic systems develop around specific psychotropic practices, that is, practices which piggyback our neuroendocrine system to deliver a rewarding, addictive experience (Smail 2008). According to Smail, the period that ranges from the Peace of Westphalia (1648) to the imperial coda of the French Revolution (1815) stands out as a pivotal moment in the “invention” of a distinctly modern mass economy of psychotropic products and practices.
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